金封系列安瓿瓶为承包商提供了灵活的解决方案，而不需要输入模块。他们有4 XLR mic in，电话in, aux in，听觉兴奋器，声学EQ\/反馈控制，幻影功率，aux fade back，输入静音，和更多。

金封系列安瓿瓶为承包商提供了灵活的解决方案，而不需要输入模块。他们有4 XLR mic in，电话in, aux in，听觉兴奋器，声学EQ\/反馈控制，幻影功率，aux fade back，输入静音，和更多。

MMA系列混频器和混频器\/放大器提供定制设计选项，通过广泛的可选模块。常见功能包括8个MMA™Module端口，一个专用程序输入，高\/低EQ's，外部音量控制，静音总线，和可选的机架耳。输入:8个输入端口，每个接收任意输入\/输出模块;一个专用程序输入(双RCA唱机插孔)，桥接进\出"

在Ashly ne24.24m DSP主机上增加逻辑输出触发远程设备

"MG series mixers are lightweight, portable designs. CX models feature 16 editable SPX digital effects that can be activated via optional footswitch. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Built-in SPX Digital Effects There's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for quot;wetquot; monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."

"MG series mixers are lightweight, portable designs. C models feature simple one-knob compression controls on key channels to achieve great vocal sounds. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want. High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."

"MG series mixers are lightweight, portable designs. C models feature simple one-knob compression controls on key channels to achieve great vocal sounds. Other features include 3-band EQ, 4 stereo inputs, 3 aux sends, illuminated channel On switches, phantom power, external power supply, inserts, and more. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Built-in Channel Compressors This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want. High-performance Microphone Preamplifiers with Switchable Phantom Power Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide - 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. 3-band Channel EQ and High-pass Filters Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range. Bright Meters for Visual Level Monitoring Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance. Easy Operation All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback."

这24输入模式适合严重的现场声音应用，其中大量的来源必须处理有效。MG24\/14FX功能内置双雅马哈SPX效果处理器，所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:16个单声道+ 4个立体声组:4个 AUX: 8个(2x备选)主:立体声单声道输入通道功能:CH1-16: HPF 3波段中扫PEQ Intert I\/O;CH17-24: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:16 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关

这32输入模式适合严重的现场声音应用程序，其中大量的来源必须处理有效。MG32\/14FX功能内置双雅马哈SPX效果处理器，所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:24单声道+ 4立体声组:4 AUX: 8 (2x备选)主:立体声单声道输入通道功能:CH1-24: HPF 3波段中扫PEQ Intert I\/O;CH25-32: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:24 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关

"A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. That's one for you and everybody in the band. If that's not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and\/or direct outputs. The ADAT input can come from digital audio workstations, digital recorders, or digital mixers. For front of house or remotely located digital mixers, we also have the Extreme Extender ADAT In\/Out that converts ADAT optical, which has very limited distance, to the HearBus for transmission of up to 500 feet. Our solution, Hear Back, has several key advantages: Virtually unlimited system size Very attractive pricing Excellent audio fidelity Built-in DSP Limiter Very long digital lines possible without loss of audio quality Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel. Local control of up to ten channels of audio (8 inputs plus a stereo Aux input) Master Volume (controls the level to the headphones, line outs and the Aux input to the line outputs) Built-in DSP Limiter (designed as a \"brick wall\" limiter for hearing protection and to protect monitor wedges from overload) Headphone amplifier fault indicator in case of over temperature, or a short, the red LED comes on to alert the user something is a problem. A second visual trouble shooting aid for the user is the Bus status indicator Link Indicators - Whenever two pairs of mono inputs are linked for stereo operation the link LED is illuminated Standard CAT5E power and signal Connection, cost effective, simple, non-obtrusive way to connect eight channels of audio. The Cable is held in place with a \"built-in cable strain relief\" Balanced Line-Outs, Mono\/Stereo Stereo AUX In Built-in Mic Stand Mount may be mounted to a standard mic stand or clipped onto a stand extension bar or clip High Power - Low Distortion Headphone Amplifiers One of the industry's most powerful headphone amplifiers"

"The A-16II allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer. Stereo output for wired or wireless The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors. The A-16II Personal Mixer is fully compatible with all Pro16® Series products, including Aviom's digital interface card for Yamaha® digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign®, Soundcraft®, Innovason®, etc. Daisy-chain and power Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.Audio Output: 1\/4-inch TRS stereo, headphone or line level Line\/Headphone TRS Output: Tip: Audio Left; Ring: Audio Right;Sleeve: Ground Auto-detects mono plugs A-Net Input\/Output: 1 A-Net input, 1 A-Net output; Category 5 (RJ45 connector) Digital to Analog Conversion Bit Depth: 24 bit Signal to Noise Ratio: (Referenced to 0dB) -103dB Latency: <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between devices Tone Controls: Treble +\/-12dB at 9kHz shelving Bass +\/-12dB at 160Hz shelving Maximum Levels (RMS): Line\/Headphone outs: 1.0 watt at 100 ohms Impedance: Line\/Headphone outs: 32 ohms Dimensions: 10.75\" (273 mm) wide x 5.6\" (142.2 mm) deep; 2.25\" (57.5 mm) high Weight: 3.4 lbs. (1.54 kg) Options: MT-1 Mic Stand Mount (uses 6-32 1\/4-inch screws) EB-1 Extension Bracket MT-X Expansion Box (requires MT-1)"

"The A-16R is a single-rack- space stereo digital mixer that can be added to any Pro16® network. Its versatile feature set makes it the ideal choice for a variety of applications on stage or in permanent installations. The A-16R gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Users can save and recall up to sixteen custom mixes as presets in their A-16R Personal Mixer. Connectivity Options For performers using wireless in-ear systems and powered floor wedges, the A-16R couples the mixing features of the A-16II Personal Mixer with additional connectivity options. Balanced outputs on the rear panel (with both XLR and 1\/4\" jacks) and stereo balanced insert points simplify audio connections to external processors, amps, or wireless transmitters. A front-panel headphone jack is also provided. The rear-panel stereo Mix In jacks allow a local analog audio source, such as a click track or program material, to be added to the user's mix. A front-panel Mix In level control is also provided. The A-16R can be remote controlled by adding the A-16CS Control Surface, allowing the A-16R to be rack mounted in an off-stage location with wireless in-ear monitor gear, amplifiers, etc. The A-16R can also be controlled via MIDI as well as RS-232 using approved third-party control systems. Pro64 Compatibility Adding an ASI A-Net Systems Interface to a Pro64 network allows the A-16R to output any bank of 16 channels from the Pro64 network. Audio Outputs: Impedance matched output Headphone Output: Front panel; TRS; Tip: Audio Left; Ring: Audio Right; Sleeve: Ground Mix input, stereo: Balanced 1\/4\" TRS; front-panel volume control Insert send\/return: Balanced 1\/4\" TRS A-Net I\/O: 1 A-Net In, 1 A-Net Out; RJ45 connectors D\/A Conversion: 44.1\/48kHz, 24 bit Indicators: Pan: 5 LEDs, 4 red, 1 green; Channel Volume: 12 red LEDs Stereo Operation: Stereo Link, per channel pair; set at the input module; Variable pan\/spread per channel or channel pair Tone Controls: Treble: ±12dB at 9kHz shelving Bass: ±12dB at 160Hz shelving Output Impedance: 140 ohms Freq. Response: 4Hz-22kHz +0.2dB\/-3dB THD +N <0.003% Signal to Noise (unweighted): -90dB typical, A\/D to D\/A Measured from AN-16\/i to A-16II Crosstalk: -90dB Latency : <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between device Remote Control: A-16CS: A-Control, RJ45 jack, max. 200 ft. (60m) Compatible with select third-party RS- 232 controllers"

"This progressive 4 -channel DJ mixer is designed for DJ's of all abilities and experience from top pro DJ's to bedroom enthusiasts who want a compact quality mixer with pro features to mix any source - whether vinyl, CD or MP3. The USB port allows easy connection to a computer and the integration of digital media, which can be used to play back music files from a laptop, record mixes, or used with music software. The revolutionary 'X-FX' control allows easy signal routing to external FX in combination with the Xone VCF filter system. Brimming with features, this compact mixer is a favourite in many DJ studios, bars and clubs."

这三通道混频器有一个功能设置，在这个水平上是首屈一指的。著名的Xone VCF包括，高通，带通和低通滤波器开关，谐振控制和tap可编程的低频振荡器，而所有的过滤器设置可以保存到任何四个数字召回设置(DRS)存储器给予前所未有的控制音乐。结合著名的Xone音质，Xone:32是一个一流的行为，也是为数不多的小型格式混频器，这是安装在专业俱乐部电路足够好。

"DN-X500 rackmount mobile\/club DJ mixer. Rock solid construction, superb audio fidelity, high quality parts, and of course reliability are the core ingredients of its design. The DN-X500's unique features provide Mobile and Club DJs tremendous flexibility and intuitive control. Eight-channel input matrix routing gives you the freedom to move any source to any channel or even the same source to multiple channels for remixing. Pre-fader level metering and gain control as well as Long 60 mm smooth channel faders are individually replaceable with our rotary knob option (ACD-46). Three-Band EQ with full output kill, booth output with channel select, two mic inputs with talkover sensitivity and effects send\/return with cue, dry\/wet knob and channel select should make this mixer the one you've been waiting for. Matrix Input Assignment No longer does your device need to be married to a particular Channel. Eight input sources are freely assignable to any channel or even multiple channels. 8 Line \/ 2 Phono Switchable 4 Smooth 60mm VCA Channel Faders Responsive 45mm VCA Cross Fader with Contour Adjust Independent Channel PFL Meters All input levels can be pre-adjusted in advance to match the gain levels, insuring a smooth transition between fades. Independent EQ On\/Off Switch Booth Output Assign Selector Pre-monitor any channel including Master through the booth output in the same manner as you would with your headphones, with volume control! External Send\/Return Control - Multi Channel Assignable - Effect On\/Off - Effect Cueing (Pre & Post) - Effect Dry\/Wet Knob Independent Channel A-B Post Switch (crossfader) Powerful Clean Headphone Output Fader Start (5V pulse) Cross Fader and Channel Fader-Start Trigger is compatible with all Denon DJ CD\/MP3 players. Other Features Compact 4U Rack Space with Recessed Rear Terminals Independent 3-band Main and Aux Mic EQ Independent CUE System (all channels) Mic Talkover Function with Sensitivity Adjustment Split \/Cue Headphone Monitor with PFL Metering Master Output -10dB Attenuation Switch Master Output Stereo\/Mono Switch Record Out - RCA\/Unbalanced Subwoofer\/Lighting Output with Frequency Adjust Ideal for powered speakers, powered amp or even a signal feed for lighting systems. Optional Rotary Knob Kit, Model: ACD-46 A DJ or club owner can easily swap out any Channel Fader (1 to 4) and replace them with our Optional ACD-46 Rotary Knob Kits, making the DN-X500 appealing to both Fader and Knob style DJs. With its powerful matrix routing option, it doesn't matter where they get installed."

这款模拟\/数字混音器给了我们足够的理由来切换到数字。以计算机为基础的dj想要一种替代的方式来移动数字音频\从和到声卡，同时保持最大的保真度。该DN-X900提供4同轴数字输入24位数字处理和2数字输出，为CD-R燃烧器或计算机的记录目的与一个独特的轨迹标记ID功能!坚如磐石的结构，卓越的音质，高质量的部件和可靠性是核心设计成分。独特的功能提供移动和俱乐部dj的灵活性和直观的控制。八通道输入矩阵路由给自由移动任何源到任何通道或相同的源到多个通道重新混合。前fader水平计量和增益控制和长60mm平滑通道fader是单独更换与可选旋钮(ACD-46)。三波段EQ与全输出杀死，摊位输出与通道选择，2麦克风输入与talkover灵敏度和效果发送/返回提示，干\/湿旋钮和通道选择，使这是您一直等待的混频器。

a - 16cs控制表面允许a - 16r个人混频器安装在机架与电源放大器，无线发射机，效果等，同时仍然允许表演者有完全控制混合功能和预置。此外，A-16CS提供直观的控制基本混合功能的系统在非性能设置。 A-16CS的用户界面类似于A-16II个人混频器的用户界面，提供对频道音量、分组、pan、立体声传播以及主音量和音调的控制。可从a - 16cs 远程保存和召回多达16个混合快照(存储在a - 16r中)，以便免提操作，a - 16cs还包括一个脚开关插孔，允许表演者使用标准的双键盘脚开关来选择混合预置。 A-16CS通过标准Cat-5e电缆连接到A-16R，使用内置在A-16R和A-16CS中的a -控制插孔。a -控制电缆的长度可达200英尺(61米)。

"TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb\/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects - and their parameters - are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor\/Librarian and VST® \/ Audio Units software, and bring 35 years of Lexicon heritage to your desktop. STUDIO OPERATION In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects - but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST® and Audio Unit plug-in windows, allowing the MX200 to function as a \"hardware plug-in\" - recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio - the application window of their recording software. A powerful cross-platform Editor\/Librarian software package is included as well. MX-Edit™ lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Mac® or Windows® XP computer. LIVE OPERATION Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb\/Effects Matrix that constantly displays which two of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from five digitally-recorded audio samples to Audition the selected effects. SPLIT PERSONALITY Either way you choose to use the MX200 - live or in the studio - you can choose two legendary Lexicon® reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet\/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button."

"The versatile Atlas Sound TSD-RL21 2x1 mic\/line mixer is ideal for applications where paging, public address, and BGM music is required. Use as a standalone remote mixer or in conjunction with Atlas Sound power amplifiers in applications such as conference center meeting rooms, football stadiums, gymnasiums, retail\/hospitality or other areas requiring versatile, multi-source mix control. Channel one may be configured via rear panel dipswitch to accommodate mic or line level while channel two features a stereo summing RCA line level input. Both inputs are adjustable by front panel controls with removable knobs, which may be easily replaced by security, covers to prevent tampering. The remote level control feature allows use of the Atlas Sound AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or RCA input 2 only (the typical BGM input). The TSD-RL21 is highly efficient and meets Energy Star standards as one 24V DC power supply (available separately) can power multiple Atlas Time Saving Devices. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Balanced Line Output Impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"

Samson的TXM桌面电源混频器功能录音控制台规格，工作室的质量效果和功率负载，设计作为一个便携式但强大的现场声音应用解决方案。TXM16是一个16通道功率的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有8个高质量的麦克风前置放大器与幻影功率，通道插入和低削减滤波器。1\/4寸手机和免提®输出。3波段EQ预通道，3 Aux发送，和一个内部24位效果处理器与100预置程序。有1立体声9波段图形EQ为mains加1单声道9波段图形EQ为监视器，和一个单声道子输出与可变低通滤波器。一个大型金属抓手手柄和机架安装工具包的TXM16包括使它完美地适合固定安装。

Samson的新的TXM动力桌面混音器功能的录音控制台规格，工作室质量效果和电源负载，设计作为一个便携式但强大的现场音响应用解决方案。TXM20是一个20通道供电的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有12个高品质的麦克风前置放大器与幻影功率，通道插入和低切割lters。1\/4寸手机和免提®输出。3波段EQ预通道，4 Aux发送，和双内部24位效果处理器与100预置程序。有一个立体声9波段图形EQ为mains + 1单声道9波段图形EQ为监视器，和一个单声道子输出可变低通lter。所有这些加上一个大的金属提手使TXM20同样适合演奏的音乐家或盒装安装。