"ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in\/out makes it easy to capture stereo recordings. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-12FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

控制你的声音!有了PreSonus studiolive系列数字混音器，您不仅可以得到高端的声音和巨大的处理、混音和录音力量，您可以控制所有这些声音可能从几乎任何地方。想要触摸你的混合与真实的推杆和旋钮的物理反馈和直观的，类似的用户界面，StudioLive提供了大时间;声音健全的人谁只有混合模拟板很快变得舒适的工作与StudioLive。尽管它类似的混合表面，然而，这是一个非常多的数字控制台，它提供的功能没有模拟混合器—和很少的数字板—可以匹配。例如，从笔记本电脑控制StudioLive混合器的能力增加了巨大的灵活性和便利性—，与捆绑的虚拟StudioLive双向控制\/编辑\/图书管理员软件，你可以免费得到它。添加第三方VPN软件，你甚至可以控制StudioLive搅拌机在互联网\ u2014理想的承包商。要得到一台与之竞争的计算机控制的搅拌机，甚至接近这个完整，你将不得不支付几倍的钱。到目前为止，还好，如果你是在混音台工作的话。但如果你也可以在一个场地或录音室里走动，并使用无线iPad控制你的混音器，那将真的是太棒了!完成了，PreSonus为iPad提供的免费StudioLive遥控器。StudioLive Remote很容易使用，提供了对StudioLive几乎所有功能的控制，外观和感觉都像一个iPad应用程序。你用PreSonus studiolive系列搅拌机所得到的控制水平是超酷的—it's absolutely ice!现在你可以控制你的声音从任何地方你选择—no限制!只吃甜桐。\ n看到它。碰它。改变它:模拟的容易满足数字的力量。当我们设计StudioLive时，我们的主要目标之一是提供一个熟悉的界面，以保持所有关键控件的可见性和可访问性—not隐藏在多个菜单中。坐在StudioLive 16.4.2，你会看到真正的硬件静音和单音按钮，装饰控制，和明确标记，为半参数EQ和动力学处理的单个旋钮。主节\ u2014完整与对讲，监视器，线索，和耳机源的选择\ u2014看起来就像一个模拟板上的主节，但有更多的权力和灵活性。Aux发送有自己的控制。每个频道都有一个大而明亮的仪表显示器。

我们革命性的MX200和MX400改变了一切。一个伟大的声音的硬件词典混响—加上能力，把该权力的工作，作为您的DAW工作流程的一部分，通过PC VST®和Mac® AU插件。现在，我们已经将MX400的大部分特性集合打包到超便宜的MX300中。所有参数的混响，延迟和动态效果，在这个电站处理器可在任何PC VST®或Macintosh® AU兼容的DAW程序。只需将您的计算机连接到MX300与USB电缆和控制自动化和召回参数完全一样，您将与任何软件插件。你得到的声音的好处只有Lexicon硬件可以提供…而不阻塞您的计算机的CPU与极端要求的混响插件。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉起无限数量的词典设置。我们敦促你们对MX300与价格相当的竞争对手和价格高得多的单元进行一次认真的并排听力测试。你会听到为什么Lexicon是反响效应的领导者。为什么不把前所未有的力量和连接的MX300工作在您的产品当钱不是对象，辞典被写进更多的主要旅游骑手比任何其他品牌的混响。但当钱是一个问题，你仍然可以拥有丰富的，详细的纹理，使词汇听起来独一无二。这里是一个完整的arsenel的声音和仪器增强效果，包括16 Lexicon混响，7延迟，真正的dbx®压缩和解压缩和调制效果，将使任何性能听起来更好。我们设计的MX300是非常容易使用在要求现场声音的情况。一旦一个程序被选中，你就可以立即访问三个参数旋钮—，而不必通过额外的菜单来浏览。您可以编程整个晚上的预置，并快速拨号与专用程序选择旋钮和明亮的LED显示。像Lexicon公司生产的每一款产品一样，MX300的设计能够经受多年的颠簸、碰撞、插装、插装、限电和电涌。这只是在这个价格上提供的最现场的混响。从五个效果路由选项 MX300让你切换效果路由容易通过前面板控制，所以你不必花时间在你的机架改变电缆。双单声道分别通过Effect 1和Effect 2发送左右输入信号。每个信号然后被路由到它各自的输出，完全独立于另一个。级联(串联)首先通过效应1发送左、右输入信号，然后通过效应2发送，然后以立体声信号的形式发送到各自的输出。双立体声(平行)路径的左和右输入信号分别通过这两种效果。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。 Mono Split左输入信号通过Effect 1发送，右输入信号通过Effect 2发送。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。立体路由为左右信号提供单一立体效果路径。该路由删除了用户的一个效果模块，用户需要一个简化的信号路径，只有一个效果满足他们的需要—，但利用了所有MX300的处理马力。

"ZED-22FX is ideal for groups who need to travel light. Featuring configurable USB audio in\/out makes it easy to capture stereo recordings. The ZED-22FX easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects - giving the whole mix extra ambience. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-22FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-22FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"Control Your Sound Your Way! With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive. Despite its analog-like mixing surface, however, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control\/editor\/librarian software, you get it all for free. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much. So far, so good—if you work from the mixing station. But if you could also walk around a venue or recording studio and remain in control of your mixer using a wireless iPad, that would really be sweet! Done, with PreSonus' free StudioLive Remote for iPad. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should. The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive. See it. Touch it. Change it: the ease of analog meets the power of digital. When we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible—not buried inside multiple menus. Sit down at a StudioLive 24.4.2, and you see real hardware Mute and Solo buttons, trim controls, and clearly labeled, individual knobs for the parametric EQ and dynamics processing. The master section—complete with Talkback, Monitor, Cue, and a choice of headphone sources—looks just like the master section on an analog board but with far more power and flexibility. Aux sends have their own controls. Every channel has a big, bright meter display.Not just effects. Effects you'd expect from a $600 stand-alone processor. You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility. The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more. All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 24.4.2. We've included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails. Recording made easy. If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture™ recording software. Studio One Artist™ digital audio workstation lets you edit and enhance to your heart's content. StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power. Because StudioLive 24.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the P.A. in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances."

"The TSD-MIX41 4x1 mic\/line mixer is ideal for applications where multiple mic or line sources need to be sub mixed or summed. In house of worship applications the TSD-MIX41 is especially useful for combining similar sources such as choir microphones to a single mixer channel. The unit also works well as a stand-alone mic\/line mixer that can be easily interfaced with Atlas Sound amplifiers. Other applications include restaurants, conference rooms, and schools. Each input is mic\/line switchable with phantom power provided for condenser microphones. The high quality, low noise internal mic preamps ensure clarity and quiet operation without unwanted coloration. A 12dB\/octave high pass filter @ 125Hz also is available on each input to minimize bass rumble and low frequency feedback. Input impedance: 1.2KO Balanced, 600O Unbalanced Phantom Power: 24VDC Defeatable Low Cut Filter: 125Hz\/12dB Defeatable Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Output impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 78dBV 24VDC Power Requirements: 60mA"

使用Lexicon硬件的强大功能进行插件编程和回忆。你想要的丰富，甜美的声音，定义的工作室混响三十年:一个真正的词典硬件处理器。但你也想在你的DAW程序中灵活地编写高质量的效果…不用占用CPU或者使用昂贵的处理卡。拥有所有与MX400。所有的参数的混响，延迟和动态效应在这发电站四处理器内部任何AU兼容的DAW程序。只需将您的电脑连接到MX400与USB电缆和控制所有自动化和召回参数，就像您将与任何软件插件—，同时享受只有Lexicon硬件可以提供的声学好处。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉出您的选择223真正的词典设置，包括25专用环绕程序。从本质上说，MX400具备了你对这家发明数字混响的公司的所有期望。十七个词汇混响，延迟和调制效应加上dbx®压缩和处理。宽大的液晶显示屏和舒适的大旋钮，你可以把你的手。在你的词典经销商那里得到一个演示。然后踏上创造成功的道路。 4-IN\/4-OUT多功能，动手控制和路面加固施工。满足最Lexicon power提供在一个超级负担得起的1RU效果处理器。非常适合乐队，教堂和俱乐部。我们知道你需要能够迅速作出改变，所以我们设计的MX400的直观的前面板是一个光溜溜的最小的旋钮调整远离任何调整或效果变化。例如，三个独立的，可分配的参数控制意味着你不需要通过页面菜单来微调混响尾巴。因为您可以使用它内置的dbx®压缩和解压缩与混响，所以MX400是驯服有问题的声乐家的完美工具。最后，你可以依靠MX400多年来，通过无数的装入和装入—虽然它的声音是a -studio质量，我们设计的MX400经得起灰尘，水分，冲击，功率浪涌和所有其他苛刻的现场声音使用。七效果路由选项的MX400让你切换效果路由自动通过前面板控制，所以你不必花时间后，yoru机架更换电缆，立即重新用途它的四个强大的处理器。从基本的四单声道，到sterero到更复杂的双立体配置，你可以在拧一个旋钮。

为Ashly ne24.24m DSP主机增加4个输入

Ashly ne24.24m DSP主机增加4个输出

皇冠28M是一款商业/工业混合机，适用于学校、医院、餐馆、工厂等。特性包括总结的RCA\/bal。凤凰输入，平衡凤凰出局，24V辅助电源终端，优先鸭，低音\/高音锅。皇冠公司的商业音频单元是商业声音的明智选择，可以轻松配置为多种用途，如传呼、背景音乐、安全和疏散指示。

VMIX是理想的背景/前景音乐和分页。它具有8个模块海湾，4优先级别，独立音量控制，电动主音量，和低音\/高音控制。对于大型应用程序，几个VMIXs可以连接在一起。

"The Rane AM2 is both an 8 channel, gain-sharing automatic mic mixer and simultaneously a Rane RAD. Use it as a standalone mic-only mixer, add more gain-shared mics using up to seven additional AM2 Automixers, and\/or use the RAD Port to transport the mic mix via a Rane Mongoose to a CobraNet network. If you need manually mixed line audio sources, including USB Audio I\/O, see the Rane AM1 Automixer. Each of the eight XLR Mic Inputs offers front panel input Level controls feeding a gain-sharing automatic mixer. Rear panel, 3-position selectors support dynamic mics (no phantom power), condenser mics (48 V), or line input optimized for wireless receiver outputs (+10 dBu max). All Level controls come with front panel signal and overload indicators. The AM2 is optimized for automixing speech. The mic inputs have a fixed 100 Hz to 7 kHz bandpass filter to provide the best voice-only automatic mixing using the gain-sharing algorithm. The XLR Main Output can be set to mic- or line-level to feed a mic snake or a +20 dBu max balanced input. When an AM2 is used standalone, both the XLR Output and the RAD Port output audio are affected by the front panel Output Level control. When the AM2's Cascade Output feeds a downstream Rane AM1 or AM2, the front panel Output Level control only affects the XLR Output. The USB port is solely used as a firmware update port if future updates are needed. The RAD Port sends the AM2 Output mix to a Rane Mongoose for routing to output RADs and\/or a CobraNet network. Cascade IN accepts audio and data from an upstream AM2's Cascade OUT. This adds eight more mic channels to the initial AM 2 creating a 16-channel gain-sharing automix. A maximum of eight AM2s can be cascaded, offering up to 64 gain-shared mics. If an AM1 is included, it must be the final device in the chain of no more than eight. Simply connect Cascade OUT ports to Cascade IN ports and the AM1 RAD Port to the Mongoose. Both the Cascade IN port and the Cascade OUT\/RAD Port have status indicators to aid setup and troubleshooting. Rear panel Fault, Locate, USB and Power indicators inform head-scratchers of device errors, the AM2's physical location, positive USB audio device OS registration and AC power status. Duplicate Locate and Power indicators on the front help installers physically locate and verify AC power to the AM2. Universal IEC power on the rear supports 100 to 240 VAC and 50\/60 Hz. The AM2 is UL Listed and CE Certified."

"The TASCAM LM-8ST is a 1-space rackmountable line mixer for installation, studio submixing, keyboardists or anyone looking for a great-sounding mix. Eight pairs of balanced 1\/4\" TRS inputs - switchable from +4 or -10dB - can be bussed to a pair of XLR balanced outputs, labeled ST1 and ST2\/AUX. Pre or post-fader bussing is available for the alternate buss, and master output level controls and metering keep signals under control. A microphone input is also provided for announcements or performance. Packed with high-quality audio components, the TASCAM LM-8ST is perfect for any live performance or installation."

"The WZ3 16:2 is a versatile, easy to use 16 mic\/line channel mixer - the next generation of this industry standard multi-purpose design. Now in its 3rd generation, the legendary MixWizard range builds on its market leading status by adding a new mic preamp design and advanced grounding scheme, which both further enhance sonic quality. Other improvements include individual phantom power switches, channel signal indicators, lamp socket and backup supply capability."

"ZED-24 has an incredibly advanced feature-set for a mixer at this level - it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in\/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you'd think it would cost much, much more! USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-22FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

使用XLR和S\/PDIF连接，M-OneXL特别适合活动应用程序。它不仅包括一系列世界级的TC动词，而且还提供了专为实时声音设计的新算法。它还提供，压缩机，限幅器，延迟，和弦，参数EQ's，法兰，门，扩展器，设计，颤音，和相位器。车牌1和2 最基本的音响混响在M-One XL是\非数字\，机械的声音，使金属车牌多余:创造人工反射典型发现\旧机械\混响!盘1和盘2在鼓和声道上特别好。房间著名的TC电子房间混响产生大量不同大小和表面的房间设置。房间的混响使你的音乐生动起来，添加最终的现实主义和纹理到你的混合。预置 M-One XL装有200个高级工厂预置，涵盖几乎所有可以想象的应用。最重要的是，M-One可以在用户银行中存储多达100个你最喜欢的预置。当您对预置满意时，只需按下存储键保存即可。它是如此简单，以至于你几乎忘记你实际上是在做预置!简而言之，M-One XL为您提供了所有的工具，您需要的，无论何时您想要创建质量效果如调制和音高效果以及EQ, De-esser和动力学!鼓动词制作一个鼓包，特别是小军鼓，使用混响已经成为流行\/摇滚多年来的标准。在听力条件完美的录音室里，有很多选择。在PA的情况下达到同样的效果是完全不同的故事。高密度混响在扩音系统中往往会消失。使用的\Live\类型混响的M-One XL将给你准确的颗粒级必要的实现这一特殊的效果。Live\混响非常适合简短和快速的小snare混响，以及大民谣3.0秒的汤姆混响。大主音人声大主音人声经常被一个很好的调音大厅支持，甚至可能有一些延迟。将这两种效果完美地结合起来可能有点困难。延迟重复的事实继续重复原始干源，即使在混响衰减后，使延迟突出作为一个单独的效果。使用M-One XL \并行\/串行\路由允许您使用两种延迟，与精确的抽头控制，和高密度混响与独立的输入，同时馈送延迟重复到混响，允许更大的整合两种效果。环境声增强在现场混音中使主声声音既清脆又呈现不总是容易的。把音量调大，保持中性频率，会让声音浮在音乐上。使用M-One XL的氛围混响有助于这种特殊情况。高密度的早期反射和短暂的衰减，将为声音增加足够的亮度和光芒，而不影响频率响应。

便携性和便利性是重要的标准，一个基于高性能雅马哈emx系列动力混频器的系统绝对是走的路。在一个集成的便携式单元中，你有一个混频器来组合和平衡你的麦克风、仪器和线源，效果来完善和抛光你的声音，动力来驱动主扬声器，甚至是监视器扬声器。EMX512具有32位SPX FX与可选的脚开关控制，双模式放大器，压缩器在每个单声道，反馈通道定位系统的识别问题通道，雅啊哈扬声器处理，以及更多。混合通道:4个单声道+ 4个立体声+返回辅助:1(效果发送)主:立体声输入通道功能 CH1-4压缩机，3波段PEQ CH5-8: 3波段PEQ 车载处理器:SPX 2x 7波段GEQ YSProcessing Mic输入:8 幽灵功率:+15V DC;开\/关线输入:4x立体声控制:脚踏开关待机(全静音)最大输出功率@ 4欧姆:500W\/ch 输出选择:L\/R L+R\/显示器"

便携性和便利性是重要的标准，一个基于高性能雅马哈emx系列动力混频器的系统绝对是走的路。在一个集成的便携式单元中，你有一个混频器来组合和平衡你的麦克风、仪器和线源，效果来完善和抛光你的声音，动力来驱动主扬声器，甚至是监视器扬声器。EMX212的特点是32位SPX FX与可选的脚开关控制，双模式放大器，反馈通道定位系统的识别问题通道，雅aha扬声器处理，以及更多。混合通道:4个单声道+ 4个立体声+返回辅助:1(效果发送)主:立体声输入通道功能 CH1-4压缩机，3波段PEQ CH5-8: 3波段PEQ 车载处理器:SPX 2x 7波段GEQ YSProcessing Mic输入:8 幽灵功率:+15V DC;开\/关线输入:4x立体声控制:脚踏开关待机(全静音)最大输出功率@ 4欧姆:220W\/ch 输出选择:L\/R L+R\/显示器"

EMX5014C是一款多功能混频器，它将高性能混频器、功率放大器、图形均衡器和数字效果单元封装在一个紧凑、便携式控制台式单元中。它是机架，便于携带，适合广泛的用途。EMX5014的特点是SPX FX，轻23磅的重量，6个简单的单旋钮压缩机，反馈通道定位，待机模式，双模放大器，可选的机架耳，和雅aha扬声器处理音乐会俱乐部和BR系列扬声器。混合通道:6个单声道+ 2个立体声+返回辅助:3个(含1x效果发送)主:立体声输入通道功能 CH1-6: HPF压缩机3波段中扫PEQ插入I\/O CH7-10: HPF 3波段PEQ;CH11-14: 3波段PEQ 车载处理器:2x SPX 2x 9波段GEQ YSProcessing Mic输入:8 幽灵功率:+48V DC;开/关线输入:4x立体控制:脚踏开关板上放大器最大输出功率@4ohms: 500W\/ch 最大输出功率@8ohms: 370W\/ch (100V型)350W\/ch (120V型)320W\/ch (220-240V型)输出选择:500W 200W 75W;L \ / R AUX1 \ / MONO AUX1 \ / AUX2

Soundcraft还推出了另一款快速增长的新Soundcraft系列产品——多格式低成本EPM混音器。 Soundcraft EPM的重点是非常坚定的质量构建和音频性能，与一个容易理解的控制表面没有不必要的设施，Soundcraft带来了新技术和想法，这是一个非常经济的范围。表面安装技术贯穿始终，使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司成立30周年而设计，也用于较大的LX7ii和GB系列主机上)具有高分辨率的调整，增益范围为55dB，通过控制台提供了令人惊叹的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞，以观察超载在通道带的几个部分，和led灯更明亮，当信号接近峰值点。为了平滑和准确的通道控制，EPM有60mm高质量的喇叭，作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的，这样当工程师在录音室的监视器上监听时，表演者仍然可以监听手机。模拟\/数字:模拟帧大小:12 立体通道:2 数字I\/O:无 FX处理器:0 组:0 EQ波段:3 辅助发送:2 返回:1 直接输出:无矩阵输出:0 主总线输出:LR"

Soundcraft还推出了另一款快速增长的新Soundcraft系列产品——多格式低成本EPM混音器。 Soundcraft EPM的重点是非常坚定的质量构建和音频性能，与一个容易理解的控制表面没有不必要的设施，Soundcraft带来了新技术和想法，这是一个非常经济的范围。表面安装技术贯穿始终，使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司成立30周年而设计，也用于较大的LX7ii和GB系列主机上)具有高分辨率的调整，增益范围为55dB，通过控制台提供了令人惊叹的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞，以观察超载在通道带的几个部分，和led灯更明亮，当信号接近峰值点。为了平滑和准确的通道控制，EPM有60mm高质量的喇叭，作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的，这样当工程师在录音室的监视器上监听时，表演者仍然可以监听手机。模拟\/数字:模拟帧大小:6 立体通道:2 数字I\/O:无 FX处理器:0 组:0 EQ波段:3 辅助发送:2 返回:1 直接输出:无矩阵输出:0 主总线输出:LR"

Soundcraft还推出了另一款快速增长的新Soundcraft系列产品——多格式低成本EPM混音器。 Soundcraft EPM的重点是非常坚定的质量构建和音频性能，与一个容易理解的控制表面没有不必要的设施，Soundcraft带来了新技术和想法，这是一个非常经济的范围。表面安装技术贯穿始终，使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司成立30周年而设计，也用于较大的LX7ii和GB系列主机上)具有高分辨率的调整，增益范围为55dB，通过控制台提供了令人惊叹的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞，以观察超载在通道带的几个部分，和led灯更明亮，当信号接近峰值点。为了平滑和准确的通道控制，EPM有60mm高质量的喇叭，作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的，这样当工程师在录音室的监视器上监听时，表演者仍然可以监听手机。模拟\/数字:模拟帧大小:8 立体通道:2 数字I\/O:无 FX处理器:0 组:0 EQ波段:3 辅助发送:2 返回:1 直接输出:无矩阵输出:0 主总线输出:LR"